A. Brown's poetry and aesthetics are central to a proper understanding of African American art and politics of the early twentieth century. This study redefines the relationship between modernism and the New Negro era in light of Browns uniquely hybrid poetry and vision of a heterodox, pluralist modernism.
Author: Mark A. Sanders · Original publisher: University of Georgia Press (1999)
Tier 3 — Partial text + link. No text is hosted on Gary NOI. Read free: https://archive.org/details/afromodernistaes00sand (Internet Archive lending copy — borrowable; IA item ID as recorded in Tranche B1: afromodernistaes00sand; no hosting rights).
