This groundbreaking work uses psychoanalysis to reinvigorate Harlem Renaissance studies. In detailed, focused sections, Poetry, Desire, and Fantasy in the Harlem Renaissance explores issues of white subjectivity in Hughes and Hurston; the embrace of primitivism by Claude McKay; musings on racial transformation and racial hierarchies; and the decline of the Harlem Renaissance. This groundbreaking work uses psychoanalysis to reinvigorate Harlem Renaissance studies.
Author: Raphael Comprone · Original publisher: University Press of America (Lanham, MD, 2006)
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