This original work redefines and broadens our understanding of the drama of the English-speaking African diaspora. Looking closely at the work of Amiri Baraka, Nobel prize-winners Wole Soyinka and Derek Walcott, and Ntozake Shange, the author contends that the refashioning of the collective cultural self in black drama originates from the complex intersection of three discourses: Eurocentric, Afrocentric, and Post-Afrocentric. From blackface minstrelsy to the Trinidad…
Author: Tejumola Olaniyan · Original publisher: Oxford University Press (New York, 1995)
Tier 4 — Description only. No legitimate free full text was found for this book (free-text pass, Tranche B1: NONE FOUND), so no text is hosted and no read-free link is carried.
