In this wide-ranging analysis, W. Lawrence Hogue argues that African American life and history is more diverse than even African American critics generally acknowledge. Focusing on literary representations of African American males in particular, Hogue examines works by James Weldon Johnson, William Melvin Kelley, Charles Wright, Nathan Heard, Clarence Major, James Earl Hardy, and Don Belton to see how they portray middle-class, Christian, subaltern, voodoo, urban,…
Author: W. Lawrence Hogue · Original publisher: SUNY Press (State University of New York Press, Albany, 2003)
Tier 3 — Partial text + link. No text is hosted on Gary NOI. Read free: https://archive.org/details/africanamericanm0000hogu (Internet Archive lending copy — borrowable; IA item ID as recorded in Tranche B1: africanamericanm0000hogu; no hosting rights).
