In her analysis of Morrison's five novels - Beloved, The Bluest Eye, Song of Solomon, Sula, and Tar Baby - Rigney defines a black feminine/feminist aesthetic. The many "voices" of Toni Morrison, Rigney argues, are manifested in her radical use of language, her reformulations of self and identity, her reinterpretations of history as both fact and mythology, and her images of female desire. As Rigney describes Morrison's texts, they are characterized by deliberate and…
Author: Barbara Hill Rigney · Original publisher: Ohio State University Press (1991)
Tier 3 — Partial text + link. No text is hosted on Gary NOI. Read free: https://archive.org/details/voicesoftonimorr00rign (Internet Archive lending copy — borrowable; IA item ID as recorded in Tranche B1: voicesoftonimorr00rign; no hosting rights).
